Good news on the professional front….
‘m sad that I’m not participating in the poem-a-day madness of National Poetry Month. That’s what pulled me into a poetry last year. I hoped to discover new ways to bring music and imagery into my prose, never thinking I’d fall in love with writing and reading poetry itself (something I’d always avoided)….
Perhaps you’ve noticed that I’ve been hiding from my blogging duties for awhile….
Last week, I found my name on a list of Pushcart Prize nominees at The Gettysburg Review. I published “Natural Births,” a chapter from Sacred Threads, in their Spring 2009 issue….
On Wednesday, April 7 from 7-9 pm, I’ll be joining Peter Sears, Jackie Shannon-Hollis and Brian Christopher for a reading and wine-tasting co-hosted by Oregon Literary Review and Blackbird Wine Shop in Portland, Oregon….
The High Desert Journal has accepted another poem of mine, this time for Issue 11 of their print journal, due out in April. Although it doesn’t focus exclusively on cows, my sestina, “Now That I’ve Moved Inland,” does feature them in every stanza….
I had my first poem published in January and am proud to announce that another poem, “What the Photo Shows,” has been accepted for publication….
Four months after I gave birth to my son in Nepal, I celebrated my very first International Women’s Day in 1988 in Gunjanagar, a village in western Chitwan District. It was also Gunjangar’s first time to organize an event for that day. I describe the scene in Sacred Threads, my ethnographic memoir-in-progress….
I work hard to polish the content of my literary nonfiction and poetry but don’t always give the same attention to titles….
I’m honored that my first poem ever to be published — “In the Flat Field” — is in The High Desert Journal. It’s a fabulous regional publication that showcases writing rooted in the Interior West of North America….
I began blogging a year ago by reflecting on the challenges of Balancing Work and Play. I still haven’t figured that out, but I know what helps with that and with surviving this dark season: humor….
I have a new essay published in The Smoking Poet. It’s new in the sense of being recently completed and published but also in the sense of process….
More recent successes in publishing my literary nonfiction: The Raven Chronicles has accepted a condensed and modified chapter from my ethnographic memoir, Sacred Threads, for publication. “Meeting my Future in…
It’s easy for an emerging writer like myself to become obsessed with rejection. That’s mostly what comes back from all the packets I mail or documents I upload with a hopeful, electronic click….
Growing food this summer in northeast Oregon, I relied on all that I’ve learned over the years from books, conversations, observations, and personal experience. But I probably heard Ama’s voice more than any other….
I’ve outgrown my confusion over how to use Twitter. I’ve even learned to enjoy it. But until recently, I was still enough of a snob to be skeptical about finding literary inspiration there….
My lyric essay, “Three Signs of Maturity,” has been published on Opium Magazine’s online edition. Parents of grown-up children might find it particularly interesting….
Just discovered that the content from my permanent pages (e.g., about, species of the week, humor) has disappeared from the public eye. It’s odd because I still see it in…
I overcame a lifelong fear of writing poetry on April Fool’s Day. It happened by accident. I had grown tired of my stale prose habits and surfed the web looking for distraction….
It’s wonderful to have more and more pieces published online and in-print. But it also feels a bit disembodied. If I’m lucky, I may exchange a few emails or have a phone conversation with an editor. I never meet the others whose pieces share the same binding with me. It’s all understandable given how busy the world is, but still odd….